A series of posters featuring artwork as well as the variable logos, conference schedule and taglines.

NAME, DESCRIPTION

A series of posters featuring artwork as well as the variable logos, conference schedule and taglines.

Major

Majors

VCD

/

/

Faculty

Annabelle Gould

Team

Ashley Tseng

Riley Mehl

Edith Freeman

A pair of conference nametags displaying painted women protruding out of letterform frames.

Two vertical flags, each with one piece of artwork featuring female subjects. The titles “Creation” and “Curation” lay on top of the work framing the faces of the subjects.

An array of postcards featuring works of art and conference taglines.

Homepage website animation cycling through different artworks featuring female subjects, the text “Reframing Women in Art Curation and Creation” expands and contracts to frame the faces in each artwork.

Breaking the frame

The name OSCURO is derived from the Italian word chiaroscuro—an art term used to describe the contrast between light and dark. The identity hinges on a variable logo that acts as a framing device for the featured artwork. The art breaks free from the constraints of the conventional frame, and in turn, male-centric narratives of art history.

Breaking the frame

The name OSCURO is derived from the Italian word chiaroscuro—an art term used to describe the contrast between light and dark. The identity hinges on a variable logo that acts as a framing device for the featured artwork. The art breaks free from the constraints of the conventional frame, and in turn, male-centric narratives of art history.

Breaking the frame

The name OSCURO is derived from the Italian word chiaroscuro—an art term used to describe the contrast between light and dark. The identity hinges on a variable logo that acts as a framing device for the featured artwork. The art breaks free from the constraints of the conventional frame, and in turn, male-centric narratives of art history.