A close-up shot of the number 2 cut into clear acrylic. Vibrant paint bleeds out of the number shape.

NAME, DESCRIPTION

A close-up shot of the number 2 cut into clear acrylic. Vibrant paint bleeds out of the number shape.

Major

Majors

VCD

/

/

Faculty

Matthew Clark

Team

Edith Freeman

A camera positioned on a tripod above a piece of clear acrylic with the number 4 cut into it. Vibrant paint bleeds out of the number shape.

A piece of clear acrylic attached to a kitchen counter with clamps. A hand holding a cup of paint waits to pour.

Getting messy

Surface Tension was created in an afternoon of splattered paint and far longer than an afternoon in PremierePro. Shoutout to Sarah Stoev for volunteering their camera assistance and sun-lit kitchen.

Getting messy

Surface Tension was created in an afternoon of splattered paint and far longer than an afternoon in PremierePro. Shoutout to Sarah Stoev for volunteering their camera assistance and sun-lit kitchen.

Getting messy

Surface Tension was created in an afternoon of splattered paint and far longer than an afternoon in PremierePro. Shoutout to Sarah Stoev for volunteering their camera assistance and sun-lit kitchen.